Chris Killip: The Station


Currently out of stock. Please contact us for more information.

ISBN: 9783958296169 Category:

Chris Killip


Late in 2016 Chris Killip’s son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: “When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 × 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didn’t have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth.”

What you’re trying not to do is oversimplify. You’re trying to have some sort of cool in there somehow, so that people looking at your pictures are not constrained by you. Meaning you haven’t predetermined everything, so that ambiguity can be embraced. Chris Killip

Additional information

Weight 1260 g
Dimensions 29.4 x 38.5 cm
Publisher name Steidl
Publication date 1 June 2020
Number of pages
Format Hardback
Dimensions 29.4 x 38.5 cm
Weight 1260 g


There are no reviews yet.

Be the first to review “Chris Killip: The Station”

Your email address will not be published. Required fields are marked *

Born on the Isle of Man in 1946, Chris Killip was a Professor of Visual and Environmental Studies at Harvard University where he had taught from 1991. Since 2012 he has held solo exhibitions at Museum Folkwang, Essen; Le Bal, Paris; Tate Britain, London; Museo Reina Sofia, Madrid; and the J. Paul Getty Museum, Los Angeles. Killip’s works are held in the permanent collections of institutions including the Museum of Modern Art, New York; George Eastman House, Rochester; and the Victoria and Albert Museum, London. His books with Steidl are Pirelli Work (2006), Seacoal, (2011), Arbeit / Work (2012), Isle of Man Revisited (2015) and In Flagrante Two (2016).