Mary Cassatt: Radical Impressionist
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Mary Cassatt: Radical Impressionist is a richly illustrated publication on the life and work of the Impressionist artist, exploring her portraits, innovative prints, and groundbreaking vision of modern womanhood.
Mary Cassatt (1844-1926) was a pioneering impressionist, a transatlantic trailblazer, and a fierce advocate of independence. This publication offers fresh and authoritative perspectives on one of the most influential artists of the later 19th and early 20th centuries, placing portraiture, identity and modern womanhood at the centre of Cassatt's practice.
The publication explores Cassatt's career through the unifying theme of independence, tracing her artistic development across Europe and the United States. Essays by an international group of scholars examine her training, her role within the Impressionist circle, and her distinctive portrayals of women in both private and public life. Particular attention is given to Cassatt's portraits of family, friends and professional sitters, revealing how autonomy, visibility and social change shaped her work.
Featuring paintings, pastels and prints from European and American collections, many rarely reproduced, the book also consider Cassatt's influence on the transatlantic art market, her innovative printmaking, and her landmark Modern Women commission. Newly researched archival material and unpublished letters deepen our understanding of her artistic ambitions and political convictions, including her commitment to women's suffrage.
An essential reference on Mary Cassatt, portraiture and modern identity, this publication re-evaluates Cassatt through new scholarship and celebrates a landmark international collaboration with the Musee d'Orsay, Paris, National Portrait Gallery, London, and the Museum of Fine Arts, Boston.
Caroline Corbeau-Parsons, Graphic Arts and Paintings Curator, Musée d'Orsay.
Anne Robbins, Curator of Paintings, Musée d'Orsay.
Sarah Moulden, Senior Curator of 19th Century Collections, National Portrait Gallery; she has previously contributed to many publications including; Love Stories: Art, Passion & Tragedy (National Portrait Gallery, 2020), 30-Second Great Art: From Masaccio to Matisse, 50 artworks that changed the way we see things (The Ivy Press, 2018), A Vision of England: Paintings of the Norwich School (Norfolk Museums & Archaeology, 2013), Antonio Sciortino and the British Academy of Arts in Rome (Horizons, 2012), and The Furniture at Dulwich Picture Gallery (Dulwich Picture Gallery: London, 2009).
Erica Hirshler, Croll Senior Curator of American Paintings, Boston Museum of Fine Arts.
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