Medieval Modern
Art Out of Time
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An exploration of the deep connections between modern and premodern art
The author reconsiders key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism - serial production, site-specificity, collage, the readymade and the questioning of the nature of art and authorship - were all features of earlier times, now revived by recent generations.
The book examines, among a host of other topics, the importance of medieval cathedrals to the 1920s Bauhaus movement; the parallels between Renaissance altarpieces and modern preoccupations with surface and structure; the relevance of Byzantine models to Minimalist artists; the affinities between ancient holy sites and earthworks; the sacred relic and the modern readymade.
Alongside the work of leading twentieth-century medievalist writers such as Walter Benjamin, Marshall McLuhan, Leo Steinberg and Umberto Eco, Nagel considers a wide range of celebrated artists, from Giotto, Leonardo, Michelangelo and Caravaggio to Marcel Duchamp, Kurt Schwitters, Robert Smithson and Damien Hirst.
Alexander Nagel is Professor of Fine Arts at the Institute of Fine Arts, New York University, and a contributor to Cabinet, ARTNews, Artforum and other journals and magazines.
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