Peter Beard
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After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought 50 acres next to her farm with the stipulation that he would film and write about the land and its flora and fauna. He witnessed the dawn of Kenya's population explosion, which challenged finite resources and stressed animal populations-including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw-with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works, including The End of the Game. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard used his photographs as a canvas onto which he superimposed multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings, and often swaths of animal blood used as paint.
Praise for Peter Beard
This book captures the spirit and craft of a man who lived large in every sense.
artnet.com
A distillation of [Beard's] diaries and notebooks that is equally lavish and ambitious.
The New York Times
A brick of a book.
The Herald
An all-out assault on the senses that is in turns sexy, unconventional, energetic, disturbing and provocative.
amateurphotographer.co.uk
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