Shabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates that he later shared with their friends and families. Shabazz had his rolls of film processed at a one-hour photo shop that provided two copies of each print: he typically gave one to his sitters, and the second he organized into changing albums to be shown to future subjects.

This book features selections from over a dozen albums, many never-before-seen, and includes his earliest photographs as well as images taken inside Rikers Island, all accompanied by essays that situate Shabazz's work within the broader history of photography.

Like the conventional scrapbook is often viewed as a personal visual storytelling object, Shabazz's photo albums are shaped by his memory, the sounds of the times, the hope he had in the community, and the people he encountered. - Deborah Willis

2022 Recipient of The Gordon Parks Foundation / Steidl Book Prize