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Bridget Riley: The Complete Prints
1962-2020
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A completely up-to-date catalogue raisonné of Bridget Riley's graphic work
Bridget Riley has made screenprints throughout her career, extending the principles of her paintings into a new, reproducible medium. Bringing together the complete, updated inventory of this substantial body of work, this volume explores Riley's development as a printmaker and her relationship to the screenprint medium.
Newly revised, updated and designed, this catalogue raisonné richly illustrates Bridget Riley's graphic work in a larger, enhanced format. Alongside a full-colour inventory of the prints are updated essays by Lynn MacRitchie and Craig Hartley and an additional essay by Robert Kudielka, which provide a greater context for Riley's work. This revised volume, a co-publication with The Bridget Riley Art Foundation, also benefits from supplemental material including an artist biography and selected solo and group exhibition history.
Published by Thames & Hudson and the Bridget Riley Art Foundation
Newly revised, updated and designed, this catalogue raisonné richly illustrates Bridget Riley's graphic work in a larger, enhanced format. Alongside a full-colour inventory of the prints are updated essays by Lynn MacRitchie and Craig Hartley and an additional essay by Robert Kudielka, which provide a greater context for Riley's work. This revised volume, a co-publication with The Bridget Riley Art Foundation, also benefits from supplemental material including an artist biography and selected solo and group exhibition history.
Published by Thames & Hudson and the Bridget Riley Art Foundation
About the Authors
Lynn MacRitchie has been active as an artist and writer since the 1970s. Craig Hartley was formerly the curator in charge of prints at the Fitzwilliam Museum, Cambridge. Robert Kudielka is the Professor Emeritus of Aesthetics and Philosophy of Art at the University of the Arts, Berlin.
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