Description
Cy Twombly (b. 1928) is widely considered to be one of the greatest living American artists, and he has received much admiration and international critical praise throughout his fifty-year career.Yet his work defies easy categorization. Subverting traditional distinctions between painting and drawing, brush and pencil-work, written words and images, he has made a highly individual contribution to the history of twentieth-century art. This book interprets Twombly’s huge and complex body of work through a close study of his pictures, following both a thematic and chronological progression from the late 1950s to the most recent work. It demonstrates that the signs found in Twombly’s paintings – pictograms, numbers, words, colours – which at first sight form an eclectic and multifaceted whole, are in fact organized into a true language whose often archaic forms are combined on canvas with allusive fragments of an enormous cultural world. From a scrawl to a drawing or a word,Twombly’s work is an articulation of the language of memory and desire, from a place in which painting, drawing and writing are one single thing.
