About the Author

Born in Moscow in 1984, Anastasia Samoylova moves between observational photography and studio practice. Recent exhibitions include those at Kunst Haus Wien, Kunsthalle Mannheim, USF Contemporary Art Museum, the Orlando Museum of Art, The Print Center and the Chrysler Museum of Art. Her work is held in the Wilhelm Hack Museum, Perez Art Museum Miami and the Museum of Contemporary Photography, Chicago, among other collections. Steidl published Samoylova's FloodZone in 2019.

Walker Evans (1903-75) is an acknowledged master of photography whose diverse body of work continues to shape our understanding of the modern era. Evans began photographing in the 1920s, moving quickly to define his aesthetic and subject matter: straight and sober images of American everyday life and its environs. Within a decade he had produced some of the most significant photographs of the twentieth century, exhibited at the Museum of Modern Art and published two landmark books: American Photographs (1938) and Let us now Praise Famous Men with James Agee (1941). Evans wrote art and film reviews for Time (1943-45), was employed by Fortune between 1945 and '65 and taught at Yale thereafter. Steidl has published Lyric Documentary (2006), Walker Evans: the magazine work (2014) and Double Elephant (2015).

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