Artists Series: Henry Moore
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An incisive introduction to the life and work of Henry Moore, whose semi-abstract works - inspired by organic shapes and the rolling landscapes of his Yorkshire roots - celebrated the blending of human figures with natural forms, and established a British sculptural renaissance.
Henry Moore (1898-1986) is well-known for his large-scale, semi-abstract works that blend together human-like forms with the natural shapes of the British landscape, thereby creating a distinctly unique and signature style. This introduction offers an incisive look at the life and work of Moore. It features a generous selection of his works, from his monumental bronze sculptures to his carvings, prints and drawings, including his sensitive yet powerful depictions of Londoners sheltering during the Blitz. Positioning him as one of the most important British sculptors of the twentieth century, it examines how he pioneered a new vision for post-war modern sculpture, the influence of which can still be seen in British art to this day.
Eleanor Clayton is Head of Collection & Exhibitions at The Hepworth Wakefield (THW). Following her MA in Art History at the Courtauld Institute of Art and research posts at the National Portrait Gallery and National Trust, she was Assistant Curator at Tate (2008-14). Since joining THW as Curator in 2014, Clayton has curated major exhibitions of British Modern art including Lee Miller and Surrealism in Britain (2018), Bill Brandt / Henry Moore (2020), and Barbara Hepworth: Art & Life (2021), alongside solo shows of contemporary artists such as Phyllida Barlow (2016), Viviane Sassen (2018), Jadé Fadojutimi (2022) and Caroline Walker (2025). She has published widely on British Modernism including on British Surrealism (Lund Humphries, 2018, and Thames & Hudson, 2024), Henry Moore (Yale University Press, 2020) and the monograph Barbara Hepworth: Art & Life (Thames & Hudson, 2021), and has written on contemporary art for Frieze, Tate Etc., and Art Monthly, among others.
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