Praise for The Artist's Studio: A Cultural History – A Times Best Art Book of 2022

Innovative and wide-ranging ... James Hall's breadth of reference - and choice of images - is impressive, from Greek red figure vases to Francis Bacon's paint-encrusted and cluttered workspace via Renaissance workshops and the Victorian war chronicler Roger Fenton's mobile photographic carriage ... [the studio] has, as Hall persuasively argues, been integral in artists projecting themselves as being more than mere craftsmen
The Times, Art Books of the Year

Ambitious and accessible ... extremely readable, wonderfully illustrated, capacious in its reach and altogether a book to send the reader back to their favourite art with a new set of questions about exactly how and where it was made
The Art Newspaper

The Artist's Studio describes how a noisome cockpit of lust, crime and virtuosity produced innovations in how art gets made, and by whom. To you, me and the estate agent, a studio is the most pinched accommodation going, but in Hall's drily entertaining survey, it has many mansions
Guardian

A thorough exploration of artists' workspaces ... combines cerebral and beautifully illustrated argument with encyclopaedic information about artists, their working practices and their funny little ways
Literary Review

About the Author

James Hall is an art critic, historian, lecturer and broadcaster. He was formerly Chief Art Critic of The Sunday Correspondent and of the Guardian. He contributes to the Guardian Saturday Review, The Times and Times Literary Supplement, as well as to many magazines and catalogues. He is the author of several books including The Self-Portrait: A Cultural History (Thames & Hudson, 2014), which the Sunday Times hailed as 'fascinating, erudite and beautifully produced'.

You May Also Like

View more