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Egon Schiele: Last Years 1914-1918
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A new study of the lesser-known later works of Egon Schiele and the effects of political upheaval on his artistic output.
A new study of the lesser-known later works of Egon Schiele and the effects of political upheaval on his artistic output.
The body of work by the eccentric artist Egon Schiele (1890-1918), created over a period of just ten years, is known above all through his major paintings and those drawings from between 1910 and around 1913/14 in which he processed his own emotional states and expressed the inner turmoil of an entire generation in his depictions of the human figure. His later works after 1914, which differ markedly from his earlier ones, and are less well known. His lines became more measured, flowing and organic, and his figures filled out and were more realistic. In retrospect, the personal and historical changes and events from 1914 - the outbreak of war, his marriage to Edith Harms (1893-1918), and the tedium of army life - clearly had a profound effect on his artistic output.
This volume gathers together an array of scholarly voices on these later works, and includes previously unseen documents including the personal diary of Edith Harms from this period, in which she recorded her experiences, thoughts and feelings during these unprecedented times.
The body of work by the eccentric artist Egon Schiele (1890-1918), created over a period of just ten years, is known above all through his major paintings and those drawings from between 1910 and around 1913/14 in which he processed his own emotional states and expressed the inner turmoil of an entire generation in his depictions of the human figure. His later works after 1914, which differ markedly from his earlier ones, and are less well known. His lines became more measured, flowing and organic, and his figures filled out and were more realistic. In retrospect, the personal and historical changes and events from 1914 - the outbreak of war, his marriage to Edith Harms (1893-1918), and the tedium of army life - clearly had a profound effect on his artistic output.
This volume gathers together an array of scholarly voices on these later works, and includes previously unseen documents including the personal diary of Edith Harms from this period, in which she recorded her experiences, thoughts and feelings during these unprecedented times.
About the Authors
Kerstin Jesse is Senior Curator at the Leopold Museum in Vienna.
Jane Kallir is a curator and co-director of the Galerie St. Etienne in New York, which specialises in Austrian Expressionism.
Hans-Peter Wipplinger is Director of the Leopold Museum.
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