Justene Williams
Once We Were Mudskippers
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Drawing on the historical avant-garde while reimagining its ideas for the present, Williams transforms everyday and found materials into theatrical, multimedia installations that are playful, provocative and deeply human. From Victory Over the Sun 2016, her feminist reinterpretation of the Russian Futurist opera, to warping of time online in The Vertigoats 2021 and new installations extending her engagement with modernism and Russian costume designer Natalia Goncharova, Once We Were Mudskippers traces Williams's ongoing transformation of avant-garde ideas through contemporary materials, media and performance videos. Like the mudskippers of the publication's title - creatures that exist between worlds - Williams's works are at once grounded in art history and unmistakably contemporary.
Featuring an in-depth interview with the artist by Ellie Buttrose, Curator, Contemporary Australian Art, QAGOMA, alongside essays by art historians Victoria Perin, Susan Best and Stephen Zepke, Once We Were Mudskippers offers fresh critical perspectives on Williams's practice. This beautifully designed book serves as both an engaging introduction to and essential resource for those familiar with her work.
Ellie Buttrose is Curator, Contemporary Australian Art, QAGOMA, and curator of 'Justene Williams: Once We Were Mudskippers'. As curator of the 2024 Australia Pavilion, she was awarded, with artist Archie Moore and commissioner Creative Australia, the Golden Lion for Best National Pavilion for 'kith and kin' at the Venice Biennale.
Dr Susan Best is Professor of Art History and Theory at Queensland College of Art and Design, Griffith University, Brisbane. She is the author of It's Not Personal: Post 60s Body Art and Performance (2021), Reparative Aesthetics: Witnessing in Contemporary Art Photography (2016) and Visualizing Feeling: Affect and the Feminine Avant-Garde (2011).
Victoria Perin is an art historian and critic. She is an editor and founding member of Memo Review, where her writing appears regularly.
Stephen Zepke's recent books include Violence and Resistance: Art and Politics in Colombia (edited with N Alvarado, 2023); Head in the Stars: Essays on Science Fiction (2020); La Sensación Más Allá de Los Límites, Ensayos sobre arte y política (2019); Art History after Deleuze (edited with S van Tuinen, 2017); and Sublime Art: Towards an Aesthetics of the Future (2017).
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