Nature's Palette
A colour reference system from the natural world
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The first-ever visual expansion of Werner's Nomenclature of Colours, featuring over 800 illustration references from the natural world
In Nature's Palette this technicolour trove has, for the first time, been enhanced with the addition of illustrations of the animals, vegetables and minerals Werner referenced alongside each colour swatch and accompanied by expert text explaining the uses and development of colour standards in relation to zoology, botany, minerology and anatomy. This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral that Syme cited. Readers can see for themselves Tile Red in the Cock Bullfinch's breast, Shrubby Pimpernel and Porcelain Jasper; or admire the Berlin Blue that Syme identified on the wing feathers of a Jay, in the Hepatica flower and in Blue Sapphire. Displays of contemporary collector's cabinets of birds, butterflies, eggs, flowers and minerals are interspersed at intervals throughout the compendium, with individual specimens colour matched to colour swatches. Still a much-loved reference among artists, naturalists and everyone fascinated by colour today, Werner's Nomenclature of Colours finds its fullest expression in this beautiful and comprehensive colour reference system.
With 1000 illustrations in colour
Praise for Nature's Palette
Patrick Baty shares the beauty of our world through a rich and diverse palette
.Cent
This new version of Syme's book provides new examples for each hue the artist described but it also lays bare how endless is the project of classifying colour
The Age
Fascinating, lavishly illustrated ... the essays by four leading experts are both informative and accessible ... a very enjoyable read
House & Garden
Utterly beguiling
Apollo
Patrick Baty is the author of The Anatomy of Colour and owner of Papers and Paints, a specialist paint business in London. His great grandfather, the artist Robert Bevan, was described by a former director of the National Gallery as being 'perhaps the first Englishman to use pure colour in the 20th century'. He runs a consultancy that advises on the use of paint and colours in historic buildings and has worked with Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage. He also lectures frequently on the subject of paint and colour of the 18th and 19th centuries.
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