Nonstop Bodies
How Dance Shaped New York City
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In theaters, ballrooms, and nightclubs throughout the 20th century, both social and professional dances blazed trails of resistance and revolution. From the exuberant endurance of dance marathons during Prohibition to the militant precision of the Rockettes through WWII and strait-laced fifties; from the aloof abstraction of the Judson Dance Theater to the explosive energy of hip-hop in the South Bronx; from the elated mingling of disco clubs to the commercialized physicality of Broadway, dance was both a reflection of culture and backbone for social change. Journalist Rennie McDougall argues that all of these dances and disparate dancers over many decades tells us a complete cultural history of New York City.
In charting the stories of these different dances, we see how each was fundamentally shaped by the social and historical forces of the time, as movements rumbling through the rest of the country came to a head in the singular density and diversity of New York City. Nonstop Bodies offers us a new lens through which to see the creative genius of renowned choreographers who took inspiration from the social dances going on around them. The infamous contractions of Martha Graham or the abstract ballet of George Balanchine were outgrowths of ongoing performances happening on street corners and in nightclubs. Graham and Balanchine took the pulse of the city and put it on the stage. McDougall argues not only that dance can act as a mirror to the larger narratives of New York and the nation, but that the city itself has proven uniquely capable of creating innovations in how we move and dance together. In this lively book, which includes black-and-white photos throughout, McDougall renders dance both accessible and vital, using it as an expansive lens through which we can read and understand our own history. Nonstop Bodies is not just a history of dance in New York City—it is an exploration of movement that captures the ways in which dance has acted as both a catalyst and reflection of the city’s culture, politics, and heart.
Praise for Nonstop Bodies
"At once spry and erudite, inventive and entertaining, Nonstop Bodies is a vital new social history of New York. Rennie McDougall moves from uptown to downtown and from ballrooms to sidewalks; from icons of modern dance to the mambo-mad Palladium; from club kids to ballet to breakers in the Bronx. So doing, he reveals dance to be an unexcelled lens through which to understand the tensions-between high culture and low, identity and difference, the monied and less so-that make the city go."
Joshua Jelly-Schapiro, author of Names of New York: Discovering the City's Past, Present, and Future Through Its Place-Names
In Nonstop Bodies, Rennie McDougall keenly hones in on the understanding that how we move is an expression of who we are. He introduces us to the brilliant bodies that taught New York how to move and, in doing so, his book introduces us to an incandescent mind.
Saeed Jones, author of Alive at the End of the World
In Nonstop Bodies, Rennie McDougall narrates the history of twentieth-century New York City through dance with panache and precision. Even more than the dances themselves, it's the dancers who come alive in McDougall's account, from the subtly subversive Lindy hoppers right up through the B-boys and B-girls who are their heirs. Highly recommended for anyone interested in dance, New York City, or both.
Ruth Franklin, author of The Many Lives of Anne Frank
What a refreshing, smart, thoughtful history of New York dance and its bold conversation with the city and society at large. From this unsparing view, a ringing truth emerges: the unique capacity of dance, forged collectively and steeped in every human strength and frailty, to shatter taboos, to rebel, and to liberate.
Sarah L. Kaufman, Pulitzer Prize winner and author of Verb Your Enthusiasm
Rennie McDougall is a writer based in Brooklyn, New York. His writing has appeared in T Magazine, The Village Voice, Lapham's Quarterly, Gay Magazine/Medium, frieze.com, hyperallergic.com, The Los Angeles Review of Books, The Brooklyn Rail, Slate, The Observer (UK), The Monthly (Aus) and The Lifted Brow (Aus), among others. He received an Observer/Anthony Burgess Prize for Arts Journalism in 2018 and was named a NYSCA/NYFA Artist Fellow for Non-fiction literature in 2023. Nonstop Bodies is his first book.
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