Praise for Nonstop Bodies

What distinguishes Nonstop Bodies from other histories of dance in New York City is that McDougall pays as much attention to the social and cultural context in which dancing occurs as he does to the more rarefied corners of high art. . . . For McDougall, the art of dance rises and falls as a series of waves, in which the innovations of the few are submerged in the stories of the many.
The New Yorker

Across these diverse genres, McDougall employs both ease and flair, utilizing time and space as only a dancer could to tell the stories of countless movement cultures and the movers who made them.
The Brooklyn Rail

Covering everything from South Bronx hip-hop to Broadway musicals to the ballroom scene, here's a book to make you wiggle while you read.
Art in America

Tracing dance in twentieth-century New York City-in theaters and clubs, basements and lofts, parks and stoops-McDougall conjures the glorious alchemy of each dance and the vibrant communities where they thrived. . . . If you're not as familiar with other areas of dance as you are with ballet, you are in safe hands with McDougall.
En Face Magazine

About the Author

Rennie McDougall is a writer based in Brooklyn, New York. His writing has appeared in T Magazine, The Village Voice, Lapham's Quarterly, Gay Magazine/Medium, frieze.com, hyperallergic.com, The Los Angeles Review of Books, The Brooklyn Rail, Slate, The Observer (UK), The Monthly (Aus) and The Lifted Brow (Aus), among others. He received an Observer/Anthony Burgess Prize for Arts Journalism in 2018 and was named a NYSCA/NYFA Artist Fellow for Non-fiction literature in 2023. Nonstop Bodies is his first book.

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