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Pascal Dombis (Bilingual edition)
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A new reference monograph on an established artist.
A new reference monograph on an established artist.
Pascal Dombis (1965) is a visual and digital artist. Relying mainly on print and video techniques, his work unfolds in a series of colourful works. Trained as an engineer, he creates by coding and using algorithms that he pushes to their limits by repeating them ad infinitum, generating unpredictability and a unique result every time. His use of lenticular sheets, a composite material equipped with optical lenses, enables him to work on perspective and multiply viewpoints. The instability of lenticular and its natural propensity to produce the accidental create an illusion of depth. The result is dynamic works that reveal multiple forms and colours, which do not stand still but are constantly regenerated.
Pascal Dombis (1965) is a visual and digital artist. Relying mainly on print and video techniques, his work unfolds in a series of colourful works. Trained as an engineer, he creates by coding and using algorithms that he pushes to their limits by repeating them ad infinitum, generating unpredictability and a unique result every time. His use of lenticular sheets, a composite material equipped with optical lenses, enables him to work on perspective and multiply viewpoints. The instability of lenticular and its natural propensity to produce the accidental create an illusion of depth. The result is dynamic works that reveal multiple forms and colours, which do not stand still but are constantly regenerated.
About the Authors
Céline Berchiche, PhD in art history, is a member of the International Association of Art Critics (AICA).
Paula Braga, art critic, ia a lecturer at the Federal University of ABC (São Paulo).
Clara Figueiredo is an independent researcher.
Dominique Moulon is an art critic and curator.
Franck James Marlot is an art consultant and curator.
Didier Girard is a French academic, Professor of European Literature at the Lumière University, Lyon 2.
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