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Royal Book Lodge
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A study and a guidance device, the first book on the Royal Book Lodge (RBL) is the culmination of a three-year exploration by renowned art historian John C. Welchman. It examines the contribution of the RBL to an array of art, film and performance practices including photography, ceramics, writing, and publishing-centered on the creation of artist books and the powerful and wide-ranging dialogue and material experimentations they engender. The volume unfolds from various cultural and political geographies, including in the Parisian suburb of Montreuil which served as an HQ, beginning in 1989; and narratives of migrations and travels, art-inflected or otherwise, in Iceland, Paraguay, Eastern Europe, Los Angeles and on the Ligurian coast of Italy. It unpacks questions caught up in constructs of autobiography, fiction, ideas and images of remote control, and the relation of RBL to the aftermath of the Situationist International, concluding with the RBL's socially urgent inquiry into experiences-and culturally pharmacological contestations-of violence. Royal Book Lodge
The Royal Book Lodge emerged from a collaboration between artists Juli Susin and Veronique Bourgoin in mid-1980's expanding its Collection and Archive and other activities after the turn of the millennium with the assistance of Yasha Gofman. For more than three decades RBL's projects have been sparked by a porous but a distractedly nimble network of artists from France, Germany, Russia, Iceland, Paraguay, and other locations, working with painting, sculpture, photography, film, installations, ceramics, writing, publishing, and curating.
RBL affiliates include: Raisa Aid, Kai Althoff, Abel Auer, Linda Bilda, André Butzer, matali crasset, Les Schlag (Grems, Tex, Virassamy), Gudny Guðmundsdóttir, Beate Günther, Tobias Hauser, Andy Hope 1930, Hekla Dögg Jónsdóttir, Dorota Jurczak, Bruce Kalberg, Armin Krämer, Alexandre Kalinkine, Lutz Krüger, Charlet Kugel, Jean-Louis Leibovitch, Anne Lefebvre, Jochen Lempert, Jonathan Meese, Birgit Mergele, Anna Parkina, Raymond Pettibon, Jason Rhoades, Lucia Sotnikova, Julia Rublow, Ralph Rumney, Gianfranco Sanguinetti.
The Royal Book Lodge emerged from a collaboration between artists Juli Susin and Veronique Bourgoin in mid-1980's expanding its Collection and Archive and other activities after the turn of the millennium with the assistance of Yasha Gofman. For more than three decades RBL's projects have been sparked by a porous but a distractedly nimble network of artists from France, Germany, Russia, Iceland, Paraguay, and other locations, working with painting, sculpture, photography, film, installations, ceramics, writing, publishing, and curating.
RBL affiliates include: Raisa Aid, Kai Althoff, Abel Auer, Linda Bilda, André Butzer, matali crasset, Les Schlag (Grems, Tex, Virassamy), Gudny Guðmundsdóttir, Beate Günther, Tobias Hauser, Andy Hope 1930, Hekla Dögg Jónsdóttir, Dorota Jurczak, Bruce Kalberg, Armin Krämer, Alexandre Kalinkine, Lutz Krüger, Charlet Kugel, Jean-Louis Leibovitch, Anne Lefebvre, Jochen Lempert, Jonathan Meese, Birgit Mergele, Anna Parkina, Raymond Pettibon, Jason Rhoades, Lucia Sotnikova, Julia Rublow, Ralph Rumney, Gianfranco Sanguinetti.
About the Author
John C. Welchman is Distinguished Professor of Art History, University of California, and author of Modernism Relocated (1995); Invisible Colours (1997); Art After Appropriation (2001); Guillaume Bijl (2016); Past Realization (2016); After the Wagnerian Bouillabaisse (2019); and Richard Jackson (2020).
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