“For a vivid and beguiling new edition, artist JooHee Yoon has revisited, reordered and re-illustrated Reid’s original text. The result is a flowing series of conjectures, some playful and others faintly ominous, amid pictures that all but vibrate with bold hues of papaya, orange, teal and hunter green… About some of Reid’s writing there’s a sense of dark mischief that does not so much date the text as show how virtuous and safety-oriented children’s books have become in the intervening decades. It’s hard to imagine any contemporary author being willing to suggest, let alone validate, such naughtiness as: ‘Supposing I telephoned people I didn’t know in the middle of the night and practiced my horrible sounds over the phone.’”
Wall Street Journal

The book’s voice is that of children—who wonder and imagine and suppose without (gloriously) considering the consequences… These are the voices of children who wonder what it would be like to save the day; seek solitude; imagine possibilities; defy expectations; do the opposite of what they’re told; confound (and ‘bamboozle’) adults; travel through time; keep secrets; and much more. Deliciously, there are also children who imagine the possibilities when not following the rules… Even if a lot of their literature (still) tries to represent their thoughts in sanitized, innocent ways, children are capable of ones that are cruel or unkind or stingy, like all humans, and what a breath of fresh air it must be for them to see that acknowledged in a book. They’re only thoughts after all; none of these speakers in the book act upon them. How cathartic for readers. Children contain multitudes. This book is a powerful reflection on that. I love to see Yoon’s arresting, distinctive artwork with its vivid stylishness. Here, the colors pop; the scale is often exaggerated; the compositions are visually arresting. Look closely, too, and see that the children often have mischief on their faces, as it should be.
Seven Impossible Things

In her transformative spin on New Yorker writer [Reid]’s 1960 child’s-eye classic, Yoon has added a girl and a dog, reordered the 'what-if' scenarios to better connect them and, brilliantly, illustrated the book as if kids themselves were the artists.
New York Times

Reid's 1960 thought experiments have lost none of their ability to jump-start flights of fancy... Some—'Supposing there were 12 of me...' or 'Supposing I taught my dog how to read...'—are fun... and others envision empowering acts like saving Dad from financial ruin or helping to recapture an escaped lion... Supposing... a new generation of readers took this invitation to heart to write themselves into different stories?
Kirkus