The Anatomy of Colour
The Story of Heritage Paints and Pigments
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The definitive book on the use of paint and colour in interior decoration from the 1660s to the 1960s
Drawing on his huge specialist archive, Patrick Baty traces the evolution of pigments and paint colours together with colour systems and standards, and examines their impact on the colour palettes used in interiors from the 1660s to the 1960s. He first charts the creation in paint of the common and expensive colours made from traditional earth pigments between 1650 to 1799. Next he examines the emergence of colour systems and standards and their influence on paint colours together with the effect of industrialized production on the texture and durability of paints. Finally, Baty turns his attention to 20th-century colour standards, including those developed originally for the purpose of identifying flowers, such as the Répertoire de Couleurs des Fleurs, des Feuillages et des Fruits, each incarnation of the British Colour Standard cards, Walpamur paint swatch cards and Parson's Tint Book of Historical Colours.
Throughout the book reproductions of interiors highlighting the distinctive colour trends and styles of painting particular to each period and room accompany the in-depth analysis of the history of colour and the development and use of paint colours in interior design.
Praise for The Anatomy of Colour
Patrick Baty is the most influential of our paint experts, whose breadth and depth of knowledge is unrivalled
Homes & Gardens
An insightful, passionate, technicolour history lesson
The English Home
This intricately researched, sumptuously colourful book is not just pretty, it is a bible of paints and paintwork through the ages - a must for any vibrantly inclined homeowner today
House & Garden
Fascinating
Evening Standard
Historian of architectural paint and colour Patrick Baty works as a consultant in the decoration of historic buildings and is proprietor of 'Papers and Paints' in London. He has been employed by Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage, and he regularly lectures on the subject of paint and paint colour in 18th- and 19th-century interiors.
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