About the Author

Enrico Mascelloni, art critic and curator, writes about art and geopolitics. He has traveled throughout Asia and Africa since the 1970s. His reading of the relationship between contemporary art and geopolitics has involved some of the boldest movements of the Western avant-garde (Promoting the Flood. Fluxus in Its Time, Parise, 1995), and has focused on the visual renewal of Central Asia (The Tamerlane Syndrome. Art and Conflicts in Central Asia, Skira, 2004; War Rugs. The Nightmare of Modernism, Skira, 2008) and sub-Saharan Africa (The Return of the Magicians: The Sacred in Contemporary African Art, Skira, 1999).

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