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The Land of the White Horse
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An in-depth cultural and archaeological history of one of England's great ancient monuments: the White Horse at Uffington.
An in-depth cultural and archaeological history of one of England's great ancient monuments: the White Horse at Uffington.
The White Horse at Uffington is an icon of the English landscape - a sleek, almost abstract figure 120 yards long which was carved into the green turf of the spectacular chalk scarp of the North Wessex Downs in the early first millennium BC. For centuries antiquarians, travellers and local people speculated about the age of the Horse, who created it and why. Was it a memorial to King Alfred the Great's victory over the heathen Danes, an emblem of the first Anglo-Saxon settlers or a prehistoric banner, announcing the territory of a British tribe? Or was the Horse an actor in an elaborate prehistoric ritual, drawing the sun across the sky? The rich history of this ancient figure and its surroundings can help us understand how people have created and lived in the Downland landscape, which has inspired artists, poets and writers including Eric Ravilious, John Betjeman and J.R.R. Tolkien.
The White Horse itself is most remarkable because it is still here. People have cared for it and curated it for centuries, even millennia. In that time the meaning of the Horse has changed, yet it has remained a symbol of continuity and is a myth for modern times.
The White Horse at Uffington is an icon of the English landscape - a sleek, almost abstract figure 120 yards long which was carved into the green turf of the spectacular chalk scarp of the North Wessex Downs in the early first millennium BC. For centuries antiquarians, travellers and local people speculated about the age of the Horse, who created it and why. Was it a memorial to King Alfred the Great's victory over the heathen Danes, an emblem of the first Anglo-Saxon settlers or a prehistoric banner, announcing the territory of a British tribe? Or was the Horse an actor in an elaborate prehistoric ritual, drawing the sun across the sky? The rich history of this ancient figure and its surroundings can help us understand how people have created and lived in the Downland landscape, which has inspired artists, poets and writers including Eric Ravilious, John Betjeman and J.R.R. Tolkien.
The White Horse itself is most remarkable because it is still here. People have cared for it and curated it for centuries, even millennia. In that time the meaning of the Horse has changed, yet it has remained a symbol of continuity and is a myth for modern times.
Extent: 304 pp
Format: Paperback
Illustrations: 85 illustrations, 24 in full colour
Publication date: 2026-10-01
Size: 19.8 x 12.9 cm
ISBN: 9780500299210
Praise for The Land of the White Horse
Full of rich, fascinating detail ... a beautifully written thoroughbred of a book
Current Archaeology
Intriguing ... an engrossing book [that] bristles with little-known nuggets
Sunday Times
Tells of the mythology and debates about the horse's origins, culminating in the author's archaeological investigation in the late 1980s
Country Life
About the Author
David Miles was the Director of the Oxford Archaeological Unit for many years, and worked on projects in Britain, France, Greece and the West Indies. In 1999 he became Chief Archaeologist at English Heritage, where he developed a maritime archaeology unit and a project to study the impact of slavery in England. He has written many books on archaeology, particularly on the Roman and Migration periods in Britain, and one on the origins of the British, The Tribes of Britain.
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