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The Undertaker Volume 3
The White Apache & Lynx
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In the frozen heart of Apache territory, the cold doesn't kill as fast as a friend's betrayal.
In volume 3 of this acclaimed graphic novel series, Jonas Crow is a man alone again. With Rose gone, the Undertaker has returned to his solitary trade, carving out a living by burying the dead as a brutal winter descends upon the Arizona desert.
He's content to be left alone-until Sid Beauchamp, a face from a past Jonas would rather forget, arrives with a proposition that reeks of gunpowder and desperation.
The mission: venture deep into Apache territory-land outsiders have twisted into a convenient villain-to retrieve a body.
The risks are clear, but Sid knows exactly which buttons to push to recruit the only man reckless enough to take the job. However, as the blizzard whiteout swallows the trail, Jonas discovers that Sid's "simple retrieval" is a web of lethal lies.
Caught between Apache warriors enraged by Sid's lies and the treachery of his own kind, the Undertaker must find a way to survive a landscape where the snow is stained red and loyalty is the rarest commodity of all.
In This Volume:
A Gritty New Chapter: Jonas Crow faces his harshest setting yet-the ice-locked canyons of the Southwest.The Return of Sid Beauchamp: A dive into the series' murky history, where old debts are paid in lead.Survival Western at its Best: A tense, high-stakes story that pits man against nature-and greed against honor.Striking Visuals: Ralph Meyer's art captures the blinding white of a blizzard and the grim reality of the Undertaker's world.
The wind is howling, and Jonas Crow is about to learn that some bodies are better left buried.
In volume 3 of this acclaimed graphic novel series, Jonas Crow is a man alone again. With Rose gone, the Undertaker has returned to his solitary trade, carving out a living by burying the dead as a brutal winter descends upon the Arizona desert.
He's content to be left alone-until Sid Beauchamp, a face from a past Jonas would rather forget, arrives with a proposition that reeks of gunpowder and desperation.
The mission: venture deep into Apache territory-land outsiders have twisted into a convenient villain-to retrieve a body.
The risks are clear, but Sid knows exactly which buttons to push to recruit the only man reckless enough to take the job. However, as the blizzard whiteout swallows the trail, Jonas discovers that Sid's "simple retrieval" is a web of lethal lies.
Caught between Apache warriors enraged by Sid's lies and the treachery of his own kind, the Undertaker must find a way to survive a landscape where the snow is stained red and loyalty is the rarest commodity of all.
In This Volume:
A Gritty New Chapter: Jonas Crow faces his harshest setting yet-the ice-locked canyons of the Southwest.The Return of Sid Beauchamp: A dive into the series' murky history, where old debts are paid in lead.Survival Western at its Best: A tense, high-stakes story that pits man against nature-and greed against honor.Striking Visuals: Ralph Meyer's art captures the blinding white of a blizzard and the grim reality of the Undertaker's world.
The wind is howling, and Jonas Crow is about to learn that some bodies are better left buried.
Praise for The Undertaker Volume 3
Chock-full of rugged desert vistas, whiskery ne'er-do-wells, shotgun showdowns, and desperate horseback escapades. [...] The moody western realism should charm fans nostalgic for films like The Good the Bad and the Ugly.
Publishers Weekly
Ralph Meyer's art brilliantly carries the story. [...] Well worth your time and money-whether you are a fan of Westerns or solidly crafted tales with great art.
Comics Beat
About the Author
Xavier Dorison (born 1972) is a French comics writer known for acclaimed series such as Long John Silver. After co-founding a comics festival while in college, he quickly became a major voice in contemporary European comics. Dorison continues to work across genres, earning recognition for his ambitious, large-scale storytelling. Ralph Meyer (born 1971) is a Paris-born comics artist celebrated for his dynamic, cinematic style. Over the course of his career, he has worked across thrillers, science fiction, mythology, and Westerns, establishing himself as one of France's leading visual storytellers.
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