About the Authors

Eik Kahng is an independent curator and art historian. She has held curatorial positions at the Dallas Museum of Art, the Walters Art Museum, and the Santa Barbara Museum of Art. Although known primarily as a specialist of 18th- and 19th-century French painting, she has organized shows that range widely from early European modernism to the present.
Todd Cronan is Professor of Art History at Emory University. He is the author of several books that range in topic from French painting to modern photography to mid-century architecture. He is a founder and the editor-in-chief of nonsite.org. Michael Fried is Emeritus Professor of Humanities and History of Art and a member of the Academy at Johns Hopkins University. He is the author of numerous books and essays in art criticism, art history, and literary studies as well as several books of poems. Gordon Hughes is an Associate Professor in the Department of Art History at Rice University. Ph.D. in art history from Princeton, he originally trained as an artist and holds an MFA from the University of Illinois at Chicago. He is the author of Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism (2014). Charles Palermo is a professor of art history at William & Mary. He is the author of numerous essays on Modern Art and Literature and of two books, Fixed Ecstasy: Joan Miró in the 1920s (2008) and Modernism and Authority: Picasso and His Milieu around 1900 (2015). James Welling is a widely published, exhibited, and collected photographer living in New York and a Lecturer with the status of Professor at Princeton University. His writings on photography have appeared in The Brooklyn Rail, Camera Austria, and Aperture Magazine.

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