Suki Seokyeong Kang (Bilingual edition)

Willow Drum Oriole

$95.00

Contemporary Art in Korean Tradition

This book is not yet published, but will be available from July 2024.

ISBN: 9783775752930 Category:

Description

Contemporary Art in Korean Tradition

Suki Seokyeong Kang’s practice traverses painting, sculpture, installation, as well as video and performance to explore the interplay between the individual and the collective. By developing an artistic vocabulary that draws from the rich heritage of Korean painting, poetry and dance, Kang’s oeuvre examines the durability of traditions and expands their significance to contemporary art.

The catalogue, accompanying her solo exhibition Willow Drum Oriole at Leeum Museum of Art, proposes to read Kang’s practice through a range of varying discourses, such as the status of traditional Korean painting in contemporary art, feminism, and the narratives of the Western avant-garde. Taking the artist’s foundational painting practice as a point of departure, the catalogue features a new body of work and charts the development of Kang’s artistic language.

Additional information

Weight 300 g
Dimensions 18.2 x 25.7 cm
Publisher name Hatje Cantz Verlag
Publication date 4 July 2024
Number of pages 400
Format Hardback
Contributors Edited by Harry C. H. Choi, Lee Hanbum, and Michelle Kuo, Text by Connie Butler, Joan Kee, Christine Y. Kim, Zoe Whitley, and June Young Kwak
Dimensions 18.2 x 25.7 cm
Weight 300 g

Reviews

There are no reviews yet.

Be the first to review “Suki Seokyeong Kang (Bilingual edition)”

Your email address will not be published. Required fields are marked *

Based in Seoul, SUKI SEOKYEONG KANG (*1977) studied Painting at Ewha Womans University in Seoul and at London's Royal College of Art. In 2018, Kang won the Baloise Art Prize at Art Basel. She has had solo exhibitions at Buk-Seoul Museum of Art (2019-2020), MUDAM Luxembourg (2018), ICA Philadelphia (2018) and her works have been featured in group exhibitions at MCA Chicago (2021), the Venice Biennale (2019), the Shanghai Biennale (2018), the Gwangju Biennale (2018), and the Liverpool Biennial (2018).